Two movements for solo piano, from a memory of an old house in California. The writing is quiet and it stays quiet. Nothing in it is hard to play, and that's the point. The contrast lives in tone and pacing, not in the fingers. Score, PDF.

Solo piano. A slow piece for the end of the warm part of the year, with long lines and rich harmony. Romantic in the plain sense of the word. Finn Caoile's recording of it is on YouTube. Score, PDF.

Solo piano, written in 2001. The weeping woman of the river, told slowly: long lines, dark harmony, and a grief that doesn't resolve when you'd like it to. About nine minutes. It's the longest piano cue in my Nosferatu score, and you can hear all of it there. Score, PDF.