Kevin Ure

Composer. Brass, piano, dark ambient, cinematic narrative.

I write music for the part of the night you don't talk about.

Brass, piano, and electronic texture. It starts in shadow and it doesn't stay there. If you need sound that helps you confront something, sit in it, and come back out, you're in the right place.

Played live, conducted by the composer

Hornettes Nest

An E-flat horn duet with British brass band, at the Clark County Library Theatre in Las Vegas. Christin Schlicker and Tony Hussey, horns. I wrote it and I conducted it. Four minutes.

  • $24.95

Pavor Nocturnus: The Light That Waits

Twelve movements. One sleeper. One night that won't end.

The compositions haven't changed. The audio has. I reshaped it with record-player warmth and tape texture, so it sounds like something you found rather than something that was sold to you.

All twelve movements. Stream them or download the whole thing.

What This Music Is For

Some music decorates a room. This isn't that.

I write for the hour when the house is quiet and your head isn't.

Brass that arrives like weather. Piano that won't resolve when you want it to. Dark ambient texture underneath, holding the room still. Every piece is built on a shape: descent, pursuit, confrontation, and the door on the other side.

I don't write music that tells you everything is fine. I write music that goes down with you and comes back up.

If you've ever put on a record because you needed to feel something all the way through instead of around, you already know what this is.

The Catalog

Recordings

  • $24.95

Pavor Nocturnus: The Light That Waits

A reimagined collection with a "historic" tape-music character. The compositions are unchanged. The audio is reshaped with record-player warmth and tape texture, as if the album were discovered rather than produced. All twelve movements included.

  • $24.95

Soliloquy (2009)

A quiet, reflective collection for flute, piano, and small ensemble, recorded exactly as originally written. No reimagining and no treatment. An honest document of my early voice. Where Pavor Nocturnus is the night, Soliloquy is the stillness before it.

  • $24.95

The Beast of Gevaudan (2003)

The earliest surviving collection. Bold, dramatic, and unfiltered. Works for small ensembles, including brass choir, piano, and euphonium. These are the first sparks of the world that would grow into Pavor Nocturnus: myth, power, and raw instinct, before the night learned subtlety. For listeners who want to hear where it all began.

  • Free

The Pavor Nocturnus Companion (Free)

The title track from Pavor Nocturnus, in HD audio and as a 320 MP3. Free for subscribers, and the fastest way to hear whether the rest of the cycle is for you.

Scores & Sheet Music

The written music, for anyone who wants to play it themselves.

These are the original editions. The same versions used in performances and on the recordings, not simplified arrangements made after the fact.

Solo instrumental works for flute, violin, bassoon, and oboe. Piano collections. Chamber and ensemble pieces, including string orchestra and the early dramatic writing from Beast of Gevaudan.

Each score is from a different stage of my writing. The early work is louder and less careful. The later work knows when to stop. Both are here on purpose.

For performances, recordings, or broadcast use, write to me and I'll sort out licensing.

Free for subscribers

Take the Night Home

The Companion is the title track from Pavor Nocturnus, in HD audio and as an MP3. Yours free.

All twelve movements are finished. Start with one and decide whether the rest is for you.

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